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UID:20260701T214824EDT-7433P1VDUw@132.216.98.100
DTSTAMP:20260702T014824Z
DESCRIPTION:The Doctoral Colloquium is open to all.\n\nDoctoral Colloquium:
  Timothy de Reuse\, PhD Candidate in Music Technology\n\n\nTitle: “What's 
 Wrong with This Music? Detecting Errors in Optical Music Recognition Outpu
 t using Sequence Alignment and Machine Learning”\n\nBiography: Timothy de 
 Reuse is a PhD Candidate in Music Technology. His research centers around 
 analysis of repeated material in symbolic music\; in particular\, analysis
  of long-term dependencies in music (e.g.\, verse-chorus forms or sonata f
 orms). He has published work on automatic motivic analysis\, musical patte
 rn discovery\, and the use of repetition to find errors in musical scores.
 \n\nAbstract: Optical Music Recognition is the field of research investiga
 ting digitization of physical musical scores into machine-readable forms\,
  enabling researchers to search\, analyze\, and interact with vast swathes
  of musical data in novel ways. However\, all forms of this technology int
 roduce non-trivial errors into processed scores\, especially on poor-quali
 ty scans or degraded historical musical documents\, and manual correction 
 of these errors time-consuming. I note that most of the errors these proce
 sses induce are 'non-musical'' in that they represent phenomena that a hum
 an composer would never have written. I propose that the laborious task of
  manual correction could be sped up by marking all symbols on a score that
  are musically unlikely\, allowing the corrector to focus their attention 
 only on regions of the score that contain errors. This dissertation covers
  the design\, construction\, and evaluation of a machine learning-based er
 ror detector for symbolic music\, built to expedite the process of manual 
 correction of optical music recognition outputs. This research aims to hel
 p bridge the gap between the promises of optical music recognition and its
  current limitations\, propelling these technologies to their full potenti
 al as tools for musicological research and musical preservation.\n\n \n
DTSTART:20240110T213000Z
DTEND:20240110T230000Z
LOCATION:A-832\, Elizabeth Wirth Music Building\, CA\, QC\, Montreal\, H3A 
 1E3\, 527 rue Sherbrooke Ouest
SUMMARY:Doctoral Colloquium (Music) | Timothy de Reuse
URL:/music/channels/event/doctoral-colloquium-music-ti
 mothy-de-reuse-354062
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