BEGIN:VCALENDAR VERSION:2.0 PRODID:-//132.216.98.100//NONSGML kigkonsult.se iCalcreator 2.20.4// BEGIN:VEVENT UID:20260602T175032EDT-6004Sz5V58@132.216.98.100 DTSTAMP:20260602T215032Z DESCRIPTION:The Doctoral Colloquium is open to all.\n\nDoctoral Colloquium:  Margaret de Castro\n\n\n Find out more about attending events at Schulich \n\n \n Title: Using dynamic differentiation to enable post-secondary music students to focus during rhythmic dictation: A mixed methods research stud y.\n\n  \n\n Abstract:\n\n The present study tested the role periodic dynamic enhancement or differentiation could play in helping students focus in ta king rhythmic dictation. An experimental group of five participants was gi ven rhythm dictation exercises over a period of five weeks. Practice exerc ises involved listening to and notating unpitched rhythmic dictation examp les in which different measures were dynamically highlighted in each rendi tion of the example. This dynamic highlighting was diminished gradually ov er the period of the study. Participants were tested periodically to ascer tain whether the intervention was effective. A control group of five parti cipants functioned in the same fashion without the intervention of dynamic highlighting. A null hypothesis was assumed\, that there would be no sign ificant difference between the effects of the intervention’s scaffolded de livery and non-scaffolded delivery. Because sample sizes were small\, Shap iro-Wilk tests were conducted to check for normal distributions. T tests a nd analyses of effect sizes (Cohen’s d) were calculated where data sets in dicated normal distributions. Mann-Whitney tests were conducted where norm al distributions were not evident. An initial questionnaire and final exit interview gathered qualitative data to enhance the quantitative data obta ined from dictation test scores. Research questions were answered accordin gly. From a quantitative perspective\, results did not\, overall\, cause t he null hypothesis to be rejected. From a qualitative perspective\, partic ipant responses were largely positive\, thus leading to the conclusion tha t future replicated studies with larger sample sizes might well be more in dicative of the effect of this type of intervention.\n \n\n \n Biography:\n\n Margaret de Castro is a PhD candidate in Music Education at the Schulich S chool of Music\, 91ºÚÁÏÍø. She holds a Master of Music degree in organ performance and a Master of Education degree in educational psycholo gy. As a course lecturer in Musicianship\, she is a past recipient of the outstanding teaching award (part-time category). Margaret was co-author of the poster presentation ‘Narrative Approaches to Developing Music Teacher Identity’ at the International Society for Music Education’s MISTEC semin ar in Prague\, CR\, in 2018. She is also a member of the North American Wo rking Group of ISME’s Commission for Special Music Education and Music The rapy.\n \n \n\n  \n\n DTSTART:20230331T203000Z DTEND:20230331T223000Z LOCATION:C-201\, Strathcona Music Building\, CA\, QC\, Montreal\, H3A 1E3\, 555 rue Sherbrooke Ouest SUMMARY:Doctoral Colloquium (Music) | Margaret de Castro URL:/music/channels/event/doctoral-colloquium-music-ma rgaret-de-castro-347330 END:VEVENT END:VCALENDAR